With this lunar eclipse starting low in the sky, I decided to try and capture an image sequence of the partial phases showing the type of photography that can be done with simple gear and 'night sky photography' techniques. After some on-line and on-ground scouting around my new home territory in central Victoria, I settled on the grand old Maryborough Railway Station as my location, which *just* allowed me the sight lines on the eclipse I needed, or at least so I thought from Google Earth and Streetview.
Execution went mostly to plan and this result is close to what I had in mind, except that the car park and grounds at the station had been significantly reworked since Google Earth/Streetview was last there so that threw out my planning a little. I was using a tall ladder to gain a little extra clearance over the roof of the station, hoping to pick up an image of the Moon at the end of totality, but my compass alignment wasn't quite accurate enough and so that happened behind the clock tower. Still I wanted the action to be close to the tower and the centre of the frame so I'm happy with how this worked out. I have several other versions of the foreground during twilight to experiment with as well.
I first saw the eMotimo Tilt-Box motion control units two years ago, when a participant on my Night Sky Photography Workshops brought one along to play with. I could see then that they were both well designed and built and also great fun. With the release of the Black TB3 version and my own experiments with motion control needing an upgrade, I couldn't resist getting my hands on one and hope this review will encourage others to have a play with one of their own.
Light Pollution is an unnecessary evil, a sad result of poor lighting design.
Any trip away from home is an excuse to find dark skies and interesting locations for night sky photography, and a trip to the Australian Astro Imaging Conference (AAIC) was no exception, despite its Gold Coast location.
While planning the trip, I considered that it was almost the ideal time of year (in the southern hemisphere) to capture the zodiacal light in the west, with brilliant Venus set to be blazing in the middle of it. And a trip up north from Melbourne would further increase the angle of the zodiacal light, putting it almost vertical to the horizon with the Milky Way running overhead across the sky at the end of twilight as well. Later in the night the Gegenschein (counter-glow) would rise, in a dark part of the sky well separated from the Milky Way.
I was in Parkes, NSW in July for the Central West Astronomical Society's Astrofest and the David Malin Awards, of which I was fortunate to pick up a couple. No trip to Parkes is complete without some night sky photography out at 'The Dish' so Greg Gibbs and I met up out there on the Friday a little before sunset. We enjoyed only drab grey conditions (even some rain) until after sunset but then a short-lived sucker hole allowed us just a few minutes, before we gave up and headed back into town. After dinner I noticed the sky was clear, and despite little certainty of it staying that way I headed back out and was rewarded with a couple of hours of lovely clear sky.
Stellarium: Stellarium is a superb piece of planetarium software that renders a beautiful simulation of the sky at night (or day) for any time you like and from anywhere on Earth (and even other locations around the solar system). It's easy to use, and free!
There's nothing I love more than a cold, frosty and clear winter night under the stars. Central Victoria turned on two great nights on Friday June 7th and Saturday 8th, with just a little cloud in the wee morning hours. I managed to get out and about a bit, to capture the evening conjunction and several other nightscapes a short distance away from the Astronomical Society of Victoria's Leon Mow Dark Sky Site.
This article describes a cheap, lightweight and effective solution to dew for night sky photography.
One of the more annoying aspects of Night Sky Photography is dealing with dew. Particularly in moist climates on a cold night, moisture in the air can condense onto the cold front surface of your lens quite quickly. This can bring a night of winter photography to a rapid close and can rule out long star trail exposures or timelapse sequences.
Image processing has got nothing on editing timelapse videos when it comes to consuming your life's spare moments! Especially if the timelapse involve rapidly changing aurora and day-night twilight transitions captured in challenging circumstances. But after a hectic summer, I have finally made time to get back to the footage from my Yukon Aurora Adventures and produce video #3.
Originally conceived as a seven minute version which included some 'behind the scenes' type sequences, I was prompted to create this short two minute version first from the best of my Yukon footage for the 2013 David Malin astrophotography awards.